He Jingtang—an academician of the Chinese Academy of Engineering, male, Han, born in Dongguan in 1938.
In 1956, he was admitted to the Department of Architecture of South China Institute of Technology (predecessor of South China University of Technology). He studied under the famous architect of China and the founder of Lingnan Garden Architecture, Professor Xia Changshi, and followed the mentor to conduct research work on Lingnan garden architecture and public buildings. The systematic survey of traditional Chinese gardens, Jiangnan gardens, Guangdong's four famous gardens and Yuedong gardens laid the foundation for his future research in Lingnan architecture.
After repatriating the Architectural Design and Research Institute of South China University of Technology in 1983, he has presided over more than 50 national super-level and first-level major engineering design projects, and won numerous awards. In 1999, he was elected as an academician of the Chinese Academy of Engineering and the first academician of Huagong.
Mr. He Jingtang has undertaken a number of cultural architectural design projects, such as exhibition halls, museums, etc. He pays great attention to the cultural tension in it. For example, the Guangzhou West Han Nanyue King Tomb Museum, designed by him, is a masterpiece that has been rated as “translated and translated more than two thousand years ago.â€
Character impression: the spring breeze in winter
In "Zuo Zhuan", Fox Shooter mentioned the difference between Zhao Wei and Zhao Dun and his son. He used the term "summer Xiayang" to say that his father was very gentle and his son was very strict. My perception of Mr. He is similar to the former.
Recently, the weather is extremely hot. The parking lot at the entrance of South China University of Technology is even more chaotic. Walking on the empty campus, the buildings around it are basically two or three floors, light gray, and the shape is square and not stiff, unlike Peking University. The building is classically gorgeous, but it is very similar to the style of Fudan, but the latter is mostly brown-red and warm.
Walking to the entrance of the School of Architecture on the banks of the East Lake, the first feeling is very similar to the shape of the museum. It is solemn and simple. The most prominent thing is that the mountains, water, flowers and trees that are scattered around the place are very interesting.
Many works and programs of Mr. He and colleagues are displayed in the hall, many of which are landmarks in Guangzhou. In an office that is not spacious on the second floor, I made an exception for Mr. He’s one-hour reception.
The most impressed, I made a joke about Mr. He’s name. “He†is human, that is, it represents humanity. The “Gold†word of “Mirror†is the symbol of engineering. The “Tang†itself is the building, these three words. Does the combination represent humanity's transcendence of matter. Mr. He smiled...
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